Poison is a collage is a mixed media painting, with scenes comprising various pages from Concussion Skate Mag and New Noise Magazine, two journals that explore different underground scenes Parker grew up around. Being from Southern California, skateboarding and music often went hand in hand, so they use these cutouts to show the interrelationship between these seemingly unrelated scenes. Both embrace alternative lifestyles and a rejection of larger social expectations. This collage was constructed so the subjects all interact with each other while still maintaining their individuality.
Parker Penhasicurrently lives in Olympia, Washington and has been able to focus on their artistic career while schools have been closed, waiting to finish pursuing their BASocio in California. Parker has contributed to various local projects, from posters for shows to album art for local artists, such as Virtual bird. They have also been a featured designer in a small screen printing business, Message to You Prints. Influenced by the underground, alternative music scenes they’re a part of, and by broad-spectrum leftist ideas, painting and illustration have been a lifelong passion of theirs. Today, they continue to experiment with new mediums and themes as their career continues to grow. Parker’s art can be followed on their Instagram page.
Sara With a H was painted using acrylic. The work has previously appeared in Stirring: A Literary Collection in the Spring of 2020.
Zula Ovelgönne taught English in Europe before returning to Canada to pursue studies in Creative Writing at the University of Toronto’s School of Continuing Studies. Her visual art has appeared in Stirring: A Literary Collection. She lives in Montreal. You can find her on Instagram.
In the summer of 2020, I took interminable solitary walks through the lanes and by-lanes of Mississauga, revelling in the warm weather but feeling lonely due to self-isolation. It was sometimes heartening to see someone tending to their front yard or eating on their porch. I’d stroll longer and bigger squares and rectangles, purchasing a bottle of cola and chasing a spectacular sunset over the horizon. That’s when I felt compelled to sketch one of the almost-mansions that I enjoyed passing by, taking my time to perfect its details. Sketching this seemed to ground me better into that never-ending time.
Dr. Pallavi Narayan’svisual art–watercolour and photography–has been published in Nightingale & Sparrow, Beyond Words Literary Magazine, The Lumiere Review, and Analogies & Allegories Literary Magazine. Her words have been published in literary journals and anthologies.