By John Banning
Our friend Daniel always comes out. He does not initiate outings, and in this was doubtless said something about his want to be wanted, and his want that we should not know that he wanted to see us.
I have known Daniel for some years now, and most of us have. So it surprises us no longer when at some early or late stage of the evening, dependent on his progress through the line of drinks he will consume (and which I too slip through with far too much ease, because it is far too much like that: progress, that a glass or a bottle should not be empty purely because that is no longer getting you anywhere, that the physical act of pressing the glass edge to your mouth must continue, that the pursuit must not stop because there is some something at the end of the line, some final miracle at the final drink that will make disquiet living come to an end, though this miracle will not be reached because before it is intestinal and mental sickness, and the dreaming blackout in which you meander through scenes to be unrecollected, mumbling sleepy incomprehensible things to others also in their alcohol dreams. I am old enough that I should not know inebriation with such a naive simpleness. What this miracle is at the finale of night and when the very last sap of spirit has been supped, I can have no idea, and will not ever. However, I can remain utterly induced with the conviction that other people reached the mystic zenith before going home or after. At my own finale, at the end of each night of outing, I will sit in a brown dim-lit bedroom with no other thought than this: that I have lost.), Daniel pulls up his ironed shirt to reveal the scar with which we are all familiar. It might once have been alarming, but it is no longer. He will pull apart the seam; the stitches will pull into the flesh. Some of us will keep on talking, keep on smiling, and he will too. And when the grin across his belly has been fully forced apart, our friend will pull out a pile of his intestines and deposit them on the table in front of him. The table, or the bar, or he will drape them over a chair, or he will stand there with them in his hands, looking like someone with too much to carry, or a doorman holding coats, if you were holding a party for people who did not wear coats, but wore necklaces of butchers’ things.
Now, as far as I have been told, and have pieced together, Daniel in his adolescence, without the aid of a procession of drinks, tore open his belly and withdrew his innards and would have them out most of the time; some years later this hole was stitched by parties unknown, and bled not at all, though shortly before our coming to know him he began picking at the wound, and has since then reopened it entirely, returning to his previous habits yet now aided by inadvisable inebriation.
Daniel will vary in the displays of his insides. Sometimes the guts will be released surreptitiously, not spoken of directly, but noticed by those around the place who choose to notice them. At other, rarer times (though not less rare when we first came to know him), Daniel will not take out any of his inner functioning and will converse jovially with the occasional rubbing or picking of his stomach. I have yet to decipher any correlations amongst Daniel’s behaviours, as there can be a lot of drinking and a lot of guts or a lot of drinking and no guts. There will tend to be a lot of drinking, whatever the case.
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More recently, there tends to be a lot of alcohol and a lot of Daniel’s insides all over the place. This past March, he removed his guts and made very many jokes about them. Everybody enjoyed them, and everybody laughed, and everybody got on with Daniel very well. Two weeks after this, he removed his guts but made no jokes about them at all and instead turned very poisonous, so much so that it was a surprise his guts were not themselves discoloured. The fleshy tubing lay in a great mess across more tables than our group occupied. He spoke very loudly about how it must be very horrible to have his innards all over the place and for everybody to have to look at them. Most agreed but did not find it helpful to say so, and instead, all became quite awkward and were less worried about Daniel than they were hoping he would soon go home. So, lamentably, there is no grace to his sadness. Nor is there to mine such as it comes upon me; I do not visualize these emotions as shining beacons begging great sympathies, but now as very muddy and unwarranting of condolence.
Perhaps this all would not have been so dire if the procession of drinks could not be obtained, but as I have said, I saw the need for the progression and could not damn my friend for it. It was not only the drinking that I saw tilted towards some imagined pinnacle, either; I needed the idea of the progression of everything else, of life towards some goal, of everything towards an impossible perfection; the progression of my body even, towards the ultimate betterment of it through the removal of calluses and invisible errant facial hairs and the correction of tooth order and colour and the resurrection of hair thickness. It was a good thing I looked selfishly inward in this way, as I knew that when I scrubbed this body to perfection, I would collapse in terror as I took on the world itself as an extension of this frame and never stopped grouting the walls of everywhere.
As such, I did pity Daniel as I saw a part of myself in him, though for this very reason, I could tire of him too, as I had very much tired of myself and all my parts.
Once the night degenerated into early morning drinking at a club where the music was obviously loud, and the people were obviously semi-conscious. The only thing that was not obvious was how terrible I felt. Daniel was wild that night and brought horror to us all, even if we knew his past eccentric theatrics. He pulled his scar open wide, he gave maniac laughs, and he jumped about the place spinning his guts in the air like a sickly lasso. He passed the point of smiles and got us all to frowns and scowls. I told him he might want to go home, but he would not. People from outside our group and within it jumped as their faces were suddenly slapped by liquid droplets flown off of the whipping entrails. Without a sign of stopping, the rodeo went on. Daniel shouted and laughed angrily. I could only imagine that he would hitch himself on to some crazed bull and that the pair of them would go surging off into a nightmare.
That has been the extremity of its outlandishness. It has not been the extremity of Daniel’s feeling. Four days ago, I squatted next to him outside a pub. A man at a right angle farther along was being sick. Our shadows did not occur in the strip of beer-coloured light that fell on us, came tumbling out of the awful nighttime in which the shade of cloud became the same as a streetlight on the pavement.
He looked up at me with a smile that surely ached.
‘More than anything else, it’s easy to get pity in this world. Might as well go all out.’
John Banning lives in London, England. His work has appeared in Maudlin House, Rejection Letters, Ligeia, Dream Journal, the Bear Creek Gazette and The Daily Drunk. He is also J. F. Gleeson, and at some time, soon will appear under such in Beneath Ceaseless Skies. Do take a look.